| Amadeus - Director's Cut (Two-Disc Special Edition) | 
 enlarge | Director: Milos Forman
Actors: F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice, Simon Callow
Studio: Warner Home Video
Category: DVD
List Price: $26.98
Buy New: $9.71
You Save: $17.27 (64%)
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Avg. Customer Rating:  503 reviews
Sales Rank: 1233
Format: Anamorphic, Closed-captioned, Color, Dolby, Dvd-video, Special Edition, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), French (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled)
Rating: R (Restricted)
Number Of Items: 2
Running Time: 180
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 0.5
Dimensions (in): 7.5 x 5.6 x 0.7
MPN: WARD37464D
ISBN: 0790765152
UPC: 085393746421
EAN: 9780790765150
ASIN: B00006DEFA
Theatrical Release Date: September 19, 1984
Release Date: September 24, 2002
Availability: Usually ships in 1-2 business days
Condition: ******BRAND NEW****** ** Over 1.5 million orders shipped worldwide and more than 500 000 items in stock, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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| Editorial Reviews:
Product Description
The incredible story of wolfgang amadeus mozart told in flashback mode by antonio salieri - now confined to an insane asylum. Studio: Warner Home Video Release Date: 04/05/2005 Starring: F Murray Abraham Elizabeth Berridge Run time: 180 minutes Rating: R Director: Milos Forman
Amazon.com essential video
A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The structure of the picture is otherwise unaltered. The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker
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| Customer Reviews: Read 498 more reviews...
 learned something November 22, 2008
I've loved this movie for years and bought this dvd to replace my old vhs version. I was surprised to find only one disc and moreso to discover that it is reversible. When it came to the end of side one I wasn't sure what to do, but tried flipping it over and sure enough, there was side two. I didn't know there was such a thing and a couple of friends I asked didn't know it either. I don't buy a lot of current dvd's, maybe this is old stuff, but it was news to me..lol..
my favorite movie November 9, 2008
This is my very favorite movie. I have seen it more than 10 times, in the cinema as well as through Netflix. It never ceases to fascinate me. The concept of seeing Mozart through the eyes of a competitor, Salieri, makes the story very poignant. Through Salieri's eyes we see and realize the magnificence of Mozart's musical creations. Highly recommended.
 Excellent! October 11, 2008
This thoroughly enjoyable, pneumatic movie tells the story of Mozart's rise-and-fall on the music scene in 18th-century Austria. Told in flashback form from the point of view of musical rival Antonio Salieri, it covers with a broad hand the more salient points of Mozart's life, and dispenses with historical accuracy for a more expressive and emotionally communicative feel.
The acting's of a very high standard, with F. Murray Abraham giving a committed, layered and impressive performance as the jealous Salieri - not overshadowed by Tom Hulce's flashy, deceptively superficial turn as Mozart - which is a big deal, considering Hulce's performance is one of those show-stopping, scene-stealing turns that you don't really see anymore. If Abraham won the Oscar for this, then Hulce, for his part, is fantastic at portraying the decadence and the fevered genius behind the screenplay's reading of Mozart's character, but also gives the man impressive depth and pathos, when necessary. These two principal actors are more than amply supported by the excellent Elizabeth Berridge as Mozart's plagued wife Constanze, Jeffrey Jones as Emperor Joseph II and a very young Simon Callow as Mozart's friend-and-colleague Emanuel Schikaneder. Also, a pre-pre-pre "Sex and the City" Cynthia Nixon does an excellent job in her tiny role as the Mozart family maid.
The behind-the-camera talents of director Milos Forman, art director Karel Cerny and cinematographer Miroslav Ondricek are the real stars of "Amadeus", though - the film's style is as operatic and fantastical as its treatment of Mozart's biography, and the tone and pacing of the sumptuous visuals lend a very palpable sense of doomed-genius-reaching-critical-mass to the film. There are no slow points, nothing is visually flat, and every detail and flourish imaginable has been crammed in - like the painted fantasies of Mozart's opera sets, "Amadeus", works beautifully as a baroque spectacle, and, 24 years after its original release, remains a testament to the creative genius of its crew. Mozart's operas are staged with a wisely underplayed sense of drama, furthering the viewer's connection with the more important driving forces behind their creation - the lives of those involved - and the visual feel of the movie is that of floating haphazardly through a chaotic swirl of decadence, art and high-octane drama.
I'm no big fan of classical music, and remain unconverted - but as an exercise in storytelling, "Amadeus" is a treat for any and all fans of solid, gripping films. It hits home runs on all the fronts it chooses to show you, and, while not an exhaustive or particularly accurate account, is a deeply engaging and thoroughly enjoyable piece of cinema. Highly recommended!
I LOVE THIS MOVIE! September 26, 2008
Even though I typically only watch The Director's Cut of this film, this version is still good to have. For one, it's the original theatrical cut of the movie that was released back in 1984, second, it has a feature that the two-disc director's cut does not have: an optional isolated music-only track that plays along with the film. It's great because it features music that has never been included on any of the various soundtrack album permutations that have been released over the years.
Now, if Warner Bros. would just hurry up and blu-ray this sucker, everything will be good.
More historical accuracy would have done more justice to the movie September 17, 2008
This movie was one of the best Hollywood has ever produced. I do not have to repeat the salient features one more time, as scores of reviewers already did that.
However, what disturbed me was this. This movie was based on historical facts. I am very sad to say that, the director, to elevate Mozart's greatness, went great lengths to put down Maestro Salieri to the extent that he showed Salieri having difficulty in composing a small welcome march to Mozart. That was the height of inaccuracy. No one becomes a court composer for nothing. Salieri did produce some of the great compositions of his time.
Based on Mozart's allegations of victimization, lot of research went in to find the truth behind them and found that Salieri was jealous but at no point he thwarted Mozart's chances of ascending into the greatness or gaining opportunities. In fact, the movie rightly portrayed that most of Mozart's financial problems, and missed opportunites were due to his lifestyle.
My point is this: Mozart would still stand great, and he was the best original musician the world has ever witnessed even when you set historical facts straight.
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