| Vanya on 42nd Street | 
 enlarge | Director: Louis Malle
Actors: Wallace Shawn, Phoebe Brand, George Gaynes, Jerry Mayer, Lynn Cohen
Studio: Sony Pictures
Category: Video
Buy New: $24.99
New (1) Used (7) Collectible (1) from $12.00
Avg. Customer Rating:  18 reviews
Sales Rank: 12283
Format: Closed-captioned, Color, Ntsc
Language: English (Original Language)
Rating: PG (Parental Guidance Suggested)
Media: VHS Tape
Number Of Items: 1
Running Time: 119
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 630349918X
UPC: 043396749832
EAN: 9786303499185
ASIN: 630349918X
Theatrical Release Date: October 19, 1994
Release Date: April 23, 1996
Availability: Usually ships in 1-2 business days
Condition: Still sealed-New from manufacturer
|
| Similar Items:
|
| Editorial Reviews:
Amazon.com
This stirring 1994 work by Louis Malle brought the legendary French filmmaker into another collaboration with actors-writers-directors Andre Gregory and Wallace Shawn, scribes and stars of the great My Dinner with Andre. The situation here is that Shawn and Gregory were participants in a years-long, informal project remounting a production of Chekhov's Uncle Vanya every few months for select friends and the general worthiness of the idea. Wearing street clothes and strolling to a crumbling New Amsterdam theater on Broadway, actors Shawn, Julianne Moore, George Gaynes, Brooke Smith, Larry Pine, Phoebe Brand, Lynn Cohen, and others would do a full run of the text (as sharply translated by David Mamet) while a beaming Gregory (the play's director) looked on. Malle--who died following this film--spent a few days transforming the theatrical experiment into a viable film that maintained the company's unusual purpose and spirit. The result is something between a narrative feature and a documentary about an acting workshop, and is both highly entertaining and cinematically enthralling. A terrific final note in Malle's distinguished career, this is a must-see for anyone who cared about his work or who has a passion for Chekhov. --Tom Keogh
|
| Customer Reviews: Read 13 more reviews...
 Vanya on 42nd Steet June 3, 2008
Magnificent? May be it can be a word to define it. A bunch of great actors get together around a worn table in a decrepit and abandoned theater. They start a play. They are all dressed as you or me would be. They have no make-up. But they have themselves.
And in minutes they capture you; they inmerse you in the Chekhov's world. They show you art in its more elevated sense.
This is Vanya on 42nd Steet.
Louis Malle's swan song: Uncle Vanya on 42nd Street. November 21, 2007
Vanya on 42nd Street is a 1994 film collaboration between French director Louis Malle and actors-writers-directors Andre Gregory and Wallace Shawn. The three had previously worked together on the must-see 1981 film, My Dinner with Andre. This film was the last of Malle's career. (He died of lymphoma following filming.) The engaging film features a cast of actors including Shawn, Julianne Moore, George Gaynes, Brooke Smith, Larry Pine, Phoebe Brand, and Lynn Cohen, who rehearse in their street clothes for a performance of Chekhov's major play Uncle Vanya (as translated by David Mamet) in the rat-infested, 1903 New Amsterdam theater on NYC's 42nd Street, while Gregory supervises the workshop rehearsals. Their performance of Chekhov's tragicomedy about "the wasted life" is intended for an invitation-only audience. This film will appeal to anyone with an interest in Checkov. His popular play has also been adapted into three equally hard-to-find films on DVD: Dyadya Vanya, Sam Neill's Country Life, and Sir Anthony Hopkins' August.
G. Merritt
Vanya on 42nd Street July 18, 2007
Pared down, offbeat approach to rendering of Chekhov may inflame purists, but actually makes the playwright's dark, depressing work more accessible. We get the full treatment, with no flubbed lines or distractions to break the dramatic tension of the piece. And though Shawn and Moore may not be ideal casting, they turn in holding performances which transport us to that bleak, far-away time in rural Russia. A daring and intelligent piece of work from the late Malle, which takes us behind the velvet curtain to view at close quarters the practice and discipline of acting.
a beautiful film that showcases ensemble work on the stage...... June 20, 2007
VANYA ON 42ND STREET was my introduction to director Louis Malle's body of work. This 1994 film was the last film Malle completed before he passed away, and it is a great tribute to his talent for storytelling, as well as a great vehicle for his very talented cast. Basically, the film takes place on a stage, where the cast (including Julianne Moore and George Gaynes) is doing a read thru of Anton Chekhov's UNCLE VANYA. Together, they capture the dismal reality that Chekhov's characters live in, and its very engrossing. The actors are very engaging. This is another one of those films that doesn't rely on excessiveness. Minimalism is a great, underutilized quality in films, in this day and age. I really think that the understated direction and wonderful collective atmosphere sustained throughout the duration of the piece is beautiful. Definitely give this one a go!
How can a fruitless life be regarded pure? April 2, 2007
3 out of 3 found this review helpful
This statement belongs to a clever dialogue between the doctor and Vanya's niece in the middle of the night. Few directors along the history of the cinema have been able this brilliant and enviable opportunity to express with major solemnity, supreme conviction and admirable honesty, his last creative Op. like Louis Malle, a very prominent director who adapted the powerful, incisive and even neo existential play of Chejov around a crumbling and abandoned theater in Manhattan, where Malle accents and carves in relief not only his profound love for the actuality of this work; he makes a true tour de force around the lives and times of these personages where every one has something to hide, miss and love. Nobody is happy because there is not any innocent happiness. There `s a lot of issues to be considered, analyzed and scrutinized that you will have to watch several times to taste, delight and enjoy it due its single grandness. Filmed with outstanding realism, wondrous angle shots, suggestive illumination and supported by a formidable cast in which nothing is out of control. Marvelously made and one of my twenty top films of the Nineties.
In case you just have only heard about it, get close and convince by yourself. This is a masterpiece, under any possible angle.
A must-see for the students of acting and formidable evidence the theater may be conveyed to the cinematic stage, with pristine elegance.
|
|
|
