An eclectic shooting style--a mixture of archival footage, seamlessly spliced with shots of the miniseries in black and white, which then becomes color--effectively places the characters in the '60s context. You can believe that these folks were at the Democratic Convention in Chicago or the Watts riots or Woodstock. Yet, sometimes a break is needed: the film is unrelenting in presenting crisis after crisis with no respite, making one wonder if there were any quiet, simple, or nice moments in the entire decade. The sentimental soundtrack plays continuously, helping set the appropriate tone and the frenetic atmosphere of the movie. For those who lived through the '60s, this miniseries provides a nostalgic look back at the various movements and a general feel of the time, especially with the proliferation of film clips that aren't oft repeated (we've all seen the moon landing ad nauseam, but footage of Abbie Hoffman or Dylan playing the club scene in the East Village is refreshing). And for those born after this period, this miniseries makes the decade look like a frenzied, troubled mess that we can be grateful we had the good fortune to miss. --Jenny Brown