Already outraged about an earlier run-in with a high-strung security guard (Forest Whitaker)--who later pulls a gun on the most harmless kid at school--young Lester (Usher Raymond) wounds the guard, leads a takeover of the building, and oversees authorship of an online manifesto explaining his actions. While supporters, detractors, and cops jockey for position outside, Lester and his fellow rebels, a perfect mix of teenage archetypes who normally would have little to do with one another, unburden their souls. The Hughes Effect kicks in as Lester reveals that his decent father was killed by racist cops, that a Sal Mineo-type (Robert Richards) is beaten at home, that a pregnant girl (Sara Gilbert) wasn't even kissed by the creep she slept with, etc. Writer-director Craig Bolotin, unlike Hughes, can't persuade us to overlook the convenient symmetries and complementary struggles among his outcasts. Everything begins to feel forced after awhile, heading toward a prefabricated finish, though Bolotin's good intentions are not without some emotional impact. --Tom Keogh