| Prizzi's Honor [Region 2] |  | Director: John Huston
Actors: Jack Nicholson, Kathleen Turner, Robert Loggia, John Randolph, William Hickey
Category: DVD
Buy New: $9.87
as of 3/21/2010 01:23 EDT details
New (2) Used (3) from $5.86
Seller: moviemars
Rating:  39 reviews
Sales Rank: 229117
Format: NTSC
Language: English (Original Language)
Rating: R (Restricted)
Region: 2
Discs: 1
Aspect Ratio: 1.78:1
Running Time: 130 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5024165920336
ASIN: B00004YN62
Theatrical Release Date: June 14, 1985
Availability: Usually ships in 1-2 business days
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Amazon.com essential video
It may not seem like the most obvious kind of Huston country, but this black Mafia comedy fits perfectly with the John Huston mindset. Adapted from Richard Condon's novel, the film stars Nicholson as a none-too-bright hit man for a Mafia family who falls in love with an independent operator--a female killer played by Kathleen Turner. The two make a surprisingly funny couple, whether taking a fling at domesticity or comparing professional notes. But their romance is threatened by the woman Nicholson has jilted: the don's daughter, played by Anjelica Huston in a particularly well-etched and poisonous portrayal, for which she won an Oscar. Look for equally tasty turns by cast members William Hickey, John Randolph, and Robert Loggia. --Marshall Fine
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Showing reviews 1-5 of 39
Do what? Do I ice her? Do I marry her? Which one of these? March 18, 2010
C. CRADDOCK (Bakersfield)
After watching "Chinatown" I was curious to see "Prizzi's Honor," because of the whole Nicholson/Anjelica Huston on again/off again romance that began around the time that Chinatown was shot. There was so much drama behind the set of Chinatown that it was a wonder that the film was made at all, let alone that it was a film noir masterpiece, so my review of Chinatown didn't delve into the father/daughter aspect, but as you may know, John Huston played Noah Cross and Nicholson, as detective Jake Gittes, is involved with Cross' daughter (played by Faye Dunaway). He confronts Noah, who has got to be the worst father since, well, Noah, and I couldn't help wondering how Nicholson's offscreen romance with Huston's daughter affected their respective performances.
So, in Prizzi's Honor, Nicholson and John Huston are working together again, but this time Huston is the director, and Anjelica Huston is onscreen this time, as the daughter of a powerful mob family. Anjelica really steals the whole film, and wins an Oscar for her performance. It helps, I guess, if your father is the director, if you are going to steal a film from the ostensible leads, but though John Huston may have been an accessory to the crime, it was really Anjelica's performance that got her that Oscar. She was also great in "The Grifters," if you require further proof of her talent. In Prizzi's Honor, though, she is shown mercilessly manipulating her father, and I'm wondering if John Huston was going, like, so that's how she does it?
Anjelica was the best thing about Prizzi's Honor, and as for Director John Huston, Jack Nicholson, and Kathleen Turner, it was not their best work. The main problem I had with Prizzi's Honor was that it was written as a set up for the premise: what if a hit man and a hit woman fell in love, but then each one was hired to kill the other? It was mostly put together well enough so that you are not aware of the carpenters hammering and sawing behind the scenery, but there were a few gaping holes in the plot.
Kathleen Turner was adequate as the femme fatale, but didn't generate the body heat she did in "Who Killed Roger Rabbit?" let alone "Body Heat." Nicholson was really off his game. What was that accent supposed to be? Brooklynese? He reminded me of Archie Bunker, without that man's wit and wisdom. He seemed dazed and confused, and yet he was going to be put in charge of the Prizzi family business? The "love at first sight" he was supposed to feel for Turner's hit woman wasn't convincing. When he struggled to articulate his "feelings" it was really cringe worthy.
I liked William Hickey, the guy who played Don Corrado Prizzi. He had a really gravely voice that could have become grating real fast--but I enjoyed his performance. Perhaps it was meant to be a parody of Marlon Brando as the Godfather. At least he didn't stuff an orange in his mouth.
Bottom line is Prizzi's Honor is mainly Anjelica's honor, but for the rest, not their best work. Still, they are all so talented, even when it is not their best work, it is still better than most. John Huston and Jack Nicholson, and many others, were nominated for Oscars for this, but Anjelica is the only one who won one. Though the studio didn't expect it to do well, positive word-of-mouth built up slowly but surely.
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Irene Walker: Charley, I've been doin' three to four hits a year for the past couple of years, most at full pay.
Charley Partanna: That many?
Irene Walker: Well, it's not many when you consider the size of the population.
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The Grifters (1990) Anjelica Huston was Lilly Dillon
Who Framed Roger Rabbit (1988) (voice) (uncredited) Kathleen Turner was Jessica Rabbit
The Dead (1987) Directed by John Huston; Anjelica Huston was Gretta Conroy
Body Heat (1981) Kathleen Turner was Matty Walker
One Flew Over the Cuckoo's Nest (1975) Jack Nicholson was R.P. McMurphy
Chinatown (1974) Jack Nicholson was J.J. Gittes
Five Easy Pieces (1970) Jack Nicholson was Robert Eroica Dupea
Easy Rider (Special Edition) (1969) Jack Nicholson was George Hanson
The Treasure of the Sierra Madre (Two-Disc Special Edition) (1948) Directed by John Huston
The Maltese Falcon (1941) Directed by John Huston
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Charley Partanna: Do what? Do I ice her? Do I marry her? Which one of these?
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When an wise guy fall in love August 14, 2009
Dattero A. Escobar (Brazil)
Funny! One of the best Mafia's comedy. Nicholson like an wise obedient boy playing love games with the killer K. Turner made me laugh so much. And the actor who plays his father Partana, and the Prizzi's big boss, and Angelica Huston' role they all are pretty funny. A masterpiece by John Huston.
 2 stars out of 4 June 10, 2009
One-Line Film Reviews (Easton, MD)
The Bottom Line:
Since I'm apparently the only person in the world who thinks this movie is terrible (despite loving John Huston and Jack Nicholson), it's my duty to report to you that Prizzi's Honor is overlong, completely unfunny, and a waste of two hours; I went in expecting something near a great film and went out feeling that this should never be mentioned in the same sentence as Treasure of the Sierra Madre or The Man Who Would Be King.
This is one satisfying mob hit... November 6, 2008
Andrew Ellington (Mulholland Drive)
1 out of 1 found this review helpful
A mafia movie starring Jack Nicholson (one of the worlds greatest actors; ever) and co-staring greats like Anjelica Huston and Robert Loggia, directed by the well respected John Huston; I mean, this is a dream come true right?
Close.
`Prizzi's Honor' is a black comedy revolving around a mafia family and their dysfunctional lives, and for the most part this movie nails it. There are a few misfires, sadly, but I would be lying if I said that this wasn't very satisfying despite those shortcomings.
Charley Partanna is the number one hitman for the Prizzi family. He was at one time engaged to Dominic Prizzi's daughter Maerose. After humiliating her family and Charley (by shacking up with another guy) Maerose is ostracized by the family, allowed only to interact with them on special occasions. The film opens on such an occasion, the wedding of Maerose's sister. At this wedding Charley happens to meet Irene, a beautiful blonde who strikes his fancy. They dance, they part, they reunite, they fall in love and decide to marry. Turns out that Irene is also a hit(wo)man and complications thus ensue as her identity is revealed. Twists and turns and doublecrossments abound as the film spirals towards a very `Mr. and Mrs. Smith' type conclusion; all of which add layers to this well written and well acted film.
The script is a gem, caging wit alongside passion and espionage to create a smart and engaging film that is as thrilling as it is comical. The gags are subtle, never over-the-top (this isn't `Mafia' people) and they elevate the film, giving it an edge that is welcome.
The performances make and break this film; and this is precisely what I mean about a few misfires. First off, Jack Nicholson delivers seriously one of his finest performances of all time. This one ranks up with `The Shining' and `About Schmidt' for me as one of the `other' layers of Jack. For anyone who claims that Jack can only play `Jack' they need to watch this film. He creates a perfect comedic caricature complete with a new voice, a new walk and a new smile. He's completely transformed. Kathleen Turner is one of those actresses I feel never got as big as she should have been. She always seems to really entertain me, and while I felt that she took a backseat to Nicholson here (he really is all sorts of amazing) she really did her best to rise above. Robert Loggia is another standout. He is one of those actors who acts from his head to his toes, and he pulls it off brilliantly. I remember a scene in particular when he walks out of an elevator and chats up a young lady. He's out of focus and practically out of view yet our attention is driven to him because he is still very much in character.
And then we come to William Hickey and Anjelica Huston; the two Oscar nominees (Nicholson was also nominated, but deservedly so). I really wanted to like these performances, but they were either extremely annoying or nothing special at all. Hickey for instance was awful in my book. I loathed seeing him on the screen. I really wish that Loggia had received the Oscar nomination instead for his performance was much richer and far better executed. Huston was not bad, but she did nothing special for me. I really enjoyed her `there is no honor' speech, but I feel that her win was unnecessary (as was her nomination) and that she really only took home the Oscar because of her family ties.
Avery, Winfrey and Tilly were much more deserving.
In the end though, I must admit that despite its few shortcomings the film really delivers. It's funny, it's smart and it's engaging from start to finish and Nicholson really delivers a knockout performance. I guaranty that you'll enjoy this movie (that is unless you don't) and highly recommend it to any fan of the cast or the genre. I love gangster movies, and this one has an edge. A solid B+, maybe even an A- thanks to an A+ performance by Jacky-Boy.
 Amazingly weak considering the talent April 19, 2008
K. Swanson (Austin, TX United States)
3 out of 4 found this review helpful
I remembered this being good, but those were rose-tinted lenses. The script is lame, all the "mafia" folks are anything but Sicilian (laughably so), Jack is definitely no Italian and not even very convincing in this role (he's just not a tough guy, deep down), and how did Angelica get an Oscar for this? She's barely ok, and her father's direction is some of the worst of his mostly splendid career.
This whole film just feels weak and flaccid. It might be meant to be a joke but it's almost never that funny, not very dramatic, and basically just flat. I wanted to like it but facts is facts. I've no idea why it seems so good to so many. Rose lenses as well? Have they seen GoodFellas, Casino, or the Godfather? THOSE are real mob flicks, black humor and all. THIS is some weird mishmash that just never gets off the ground. All the plot twists add up to little suspense. And some of the looping (voice dubbing) is simply horrible! It's like a bad 70s tv show at times.
There are some amusing moments and Jack is never all bad, but his chemistry with Turner is weak, and she seems very poor up against Jack's aura (even when he's weak he's a star, some guys just got it).
I love Jack and John Huston is one hell of a director when he's happening (though Polanski used Jack to far greater effect, and Huston too for that matter, in Chinatown), but save your time and watch the Godfather parts one and two again (or Chinatown, also long but more gracefully so). They are classics. This is a b-movie.
Showing reviews 1-5 of 39
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