Theron is Sara, who pathologically lures men into romance for one month at a time, "helping" them before moving onto the next month's catch. She's avoiding long-term commitments because she's deathly ill--a fact revealed by hundreds of prescription bottles hidden in her medicine cabinet. Reeves is Nelson, the fast-lane advertising executive who reluctantly becomes Sara's Mr. November. He's insulting and callous until he learns the truth, at which point director Pat O'Connor makes a 180-degree tone shift that cannot possibly succeed. Theron makes the most of her movie-sickness routine, but Reeves is out of his depth, and not one but two romantic montages (set to the music of Enya, no less) only emphasize the movie's abundant cliches (the most obvious being The Patriot's Jason Isaacs as Theron's supportive gay neighbor). Cry if you must, but don't let anyone catch you. --Jeff Shannon