The result was "The Vampire Lovers," derived from J. Sheridan LeFanu's immortal short novel entitled "Carmilla." Actually preceding "Dracula" in the annals of vampire literature and even more respected by some, LeFanu's story seemed the perfect choice for Hammer to batten upon. The picturesque Styrian setting, the gothic trappings, and the tale's natural sexual subtext all seemed custom made for a splendid Hammer adaptation.

Unfortunately, Hammer's adaptation leaves much to be desired. Many love this movie because it so seamlessly blends vampirism and sex, but in fact there is nothing to the film at all besides nudity and bloodletting. The elegant narrative of LeFanu's original is reduced to a rather childish softcore exhibition of skin and blood. Granted, it seems rather tame compared to "From Dusk Til Dawn," but given its pedigree "The Vampire Lovers" should have been a classic on par with "Horror of Dracula," not the rather sorry T&A flick that is.

More's the pity because of an excellent cast, one of the best 70s Hammer would ever boast. Ingrid Pitt is an intelligent, alluring vampire seductress, albeit little resembling LeFanu's languid, frail Carmilla; Jon Finch (before his excellent performance in Roman Polanski's "Macbeth") is a rather vapid
stalwart hero; Pippa Steele is an attractive, innocent victim; and the great Peter Cushing shows up at the end as a vengeful General who could have been another Van Helsing but is never given a chance to do much of anything. These performers could have worked wonders with better action and dialogue; as it is, their considerable talents are virtually wasted (especially Cushing).

Sadly, "The Vampire Lovers" is a contribution of little value to vampire cinema. True, it made sure future vampire films would have an excuse to indulge in more and more sex and nudity, but that's hardly anything to brag about. Moreover, despite all the sexual shenanigans, the plot drags terribly and there's little real action or drama. The most exciting sequence comes at the very beginning and nothing else matches it the rest of the way. To top things off the script makes little sense, with several characters who seem to be of some importance just popping in and out a few times to no dramatic end whatsoever.

While "The Vampire Lovers" has its fans, its no classic and certainly not as good as some of its Hammer predecessors. It was a trendsetter--but in all the wrong ways.