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No Vacancy [Region 2] | ![No Vacancy [Region 2]](http://ecx.images-amazon.com/images/I/418V66TSRBL._SL500_.jpg)
| Director: Marius Balchunas
Actors: Olek Krupa, Lolita Davidovich, Timothy Olyphant, Christina Ricci, Rhona Bennett
Category: DVD
Buy Used: $20.76
Rating:  4 reviews
Sales Rank: 270967
Format: Pal
Languages: German (Original Language), English (Original Language)
Rating: R (Restricted)
Region: 2
Aspect Ratio: 1.78:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 4011976659136
ASIN: B00006GJ8O
Theatrical Release Date: 1999
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
 certainly not the best but not the worst either...... January 20, 2008
Margaux Paschke (New York)
1 out of 1 found this review helpful
The biggest mistake this movie made was trying too hard to be something else. It made me think the director was attempting to outdo "Four Rooms" or "After Dark". This in no way would have been considered a success. The scenes were hit or miss. The plot loosely revolved around Christina Ricci and Timothy Olyphant as he mistakenly entered her motel room for the night. Theirs is a farcical romance with all other characters running around them like chickens with their heads cut off. This movie does succeed to varying degrees in providing mindless entertainment. I hate to admit that I enjoyed certain parts of the skits, like the drunk boys or Robert Wagner, but there was no real plot, no outstanding performances, and many of the overlapping scenes were too disjointed to make it worth viewing again.
This movie is a guilty pleasure type of thing - a nice bit of fluff between serious films or sneaking a trashy Jackie Collins novel in movie form. Not highly recommended but not the worst I've seen either.
Luscious Cristina, Gorgeous Gabriel May 12, 2007
Shan X (Left Coast)
0 out of 2 found this review helpful
Don't pay attention to references about Cristina Ricci's lush curves. She looks healthy. But the only reason to watch this movie whatsoever, unless you like Ricci, Timothy Olyphant or Lolita Davidovitch, is to drink in the stunning beauty of Gabriel Mann. He doesn't come anywhere close to his brilliant performance in Parallel Sons, but the camera loves this boy's face and that's enough for me. I think it's clear the actors had minimal direction and guidance from the director, and pretty much hammed it up. And that's always a fun thing to watch, when a disciplined, methodical actor basically directs him or herself. Their perfomances are usually pretty unlimited. Anyway, there's at least one extreme close-up of Gabriel Mann that made me hit the pause button. A couple times.
I'm rating it 1 star for plot and direction, 5 stars for whenever Gabriel Mann is onscreen.Parallel Sons
Try "Four Rooms" Instead November 24, 2005
Only-A-Child
7 out of 12 found this review helpful
The good news is that "No Vacancy" is not totally unwatchable. I managed to get through the WHOLE thing by breaking it into two days of viewing. This alone makes it better than "Lenny the Wonderdog" and many student films.
Back in 1995, a young Robert Rodriquez made a fairly entertaining anthology film called "Four Rooms", the setting is a hotel and the four stories take place in different rooms of that hotel. Marius Balchunas thought the idea so compelling that he appropriated it wholesale and wrote a script structured around the same premise. His one concession to originality was to change the setting from a hotel to a motel. Unfortunately Balchunas did not pay enough attention to the credits of "Four Rooms" and failed to see that its real strength was using four writer/directors (one was Tarintino), a different director for each room.
"No Vacancy" has three main stories. Lillian (Christina Ricci) wakes up in her room to find that she has spent the night with Luke (Timothy Olyphant) instead of her finance. Reynoldo (Joaquin de Almeida), the motel manager, is sizing up his daughter's Anglo boyfriend. Two seemingly non-actor personal friends (or enemies) of Balchunas are trying to figure out a way to pay for the escort service they used the night before. There are a few other quirky characters but they add almost nothing to the mix. Robert Wagner appears at one point playing Harvey Keitel's "The Wolf" character from "Pulp Fiction"; Balchunas cleverly (Duh!) disguises this identity theft by naming the character Mr. Tangerine, apparently more homage to Tarintino (insert "Reservoir Dogs" here). Because the low budget did not permit any decent music or original score, Balchunas had to rely on lounge music, possibly borrowed from old episodes of "Surfside Six". There is no danger of a CD release.
Joaquin de Almeida's stuff is really well done, it would probably hold up well in a good movie but looks even better here because of the awful stuff that surrounds it.
Ricci's performance is nothing to write home about although that is probably due to the lame script. But "No Vacancy" is a must see for her fans because of her physical appearance. This was her mega-fat phase and her outfits reveal a lot that I didn't really need to see. But she is worth seeing here just to fully appreciate the miracle physical transformation that took place between this and her next film, "Sleepy Hollow". I defy anyone without prior knowledge to detect that it is the same actress. Tim Burton must have locked her down for a few months of food withdrawal and exercise before he started filming. It helped some that she wore period costumes in "Sleepy Hollow", but her face has narrowed significantly and she has gotten actual definition back in her features.
Then again, what do I know? I'm only a child.
 Caveat Emptor! December 31, 2004
Dr Lawrence Hauser (NYC, NY USA)
19 out of 26 found this review helpful
Christina Ricci is such a fine actress that even in a superficial, pointless film like No Vacancy she is worth watching. There is something so impish and deceptively unassuming about her screen presence that the total lack of plot and character development in this bit of fluff is unable to stifle her creative fires. That said, I would suggest avoiding No Vacancy (the title refers to the occupancy status of the Hollywood motel where all the action takes place) as it has few other redeeming qualities. Tedious and annoying, the storyline is comprised of a series of uninspired skits desperately edited at a frenetic pace in an attempt, one might think, to distract the viewer from their inherent lack of cohesiveness or meaning. Why so many talented actors commited themselves to such an unpromising project is beyond my understanding. Perhaps the script worked better as text but failed to translate well onto the screen? I know that negative reviews are rarely appreciated on this website but I felt a need to contribute my thoughts as a service to others who might be tempted by this film. Don't waste your time.
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