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This is the kind of movie that is not what it seems. From the cover jacket, you expect it to be about the harshness of city living, full of darkness and anger and seedy characters, but it's not. It's about three people and a world that most of us (thankfully) haven't experienced in our lives. The three lead characters are: Valentino, a bisexual ex-porn star dying of HIV; Gary* (not his real name), a gay hustler who falls hard for Valentino; and Mary Carmen, Valentino's spitfire girlfriend who is jealous of her lover's relationship with Gary but who has no choice but to share him. The world they inhabit is the underbelly of NYC, but director Dan Ireland never looks down on the characters, nor does he put them on a pedestal. It's a fine balance, but one that is achieved. The result is that it is impossible to watch this film and not feel the affection that Ireland has for the characters and their world, and that transfers to the viewer. It's reminiscent of Boogie Nights, another film set in the world of porn,drugs and hustlers, and a film that also makes you care for its characters and the alternative family they create.

The three leads did amazing work. Vincent D'Onofrio is mesmerizing as the center of the love triangle, a character so full of life even as he's dying that he can't be contained. This was a brave role for the respected character actor, and it deserves to be seen. Salma Hayek turns in another great performance, and one scene in particular, breaks your heart. Valentino is dancing in a club with Gary and Mary Carmen, and when he turns his back on Mary Carmen for a second to bump and grind with Gary, the slow-motion shot of the pain, longing and jealousy in Hayek's eyes will rip your heart out. And Thomas Jane has never been better. For anyone who's only seen his work in Deep Blue Sea and that raunchy Cameron Diaz "comedy", brace yourself for an actor whose potential hasn't been tapped in his subsequent projects.

This film has more than enough heart to spare, and that is what is truly so great about it. It defies expectations and cliches, yet it leaves you feeling renewed and hopeful. I only saw this film this past week, and I can't believe it escaped me before. Don't make the same mistake I did. See Velocity of Gary. It will haunt you, but in a good way.

D'Onofrio also produced the picture with Ireland, along with a previous collaboration called The Whole Wide World, and these two should continue their work together. They've created two wonderfully different films about passion and love and the human condition. And that's something that's sorely lacking in today's cinema.