Ali - The Director's Cut |  | Director: Michael Mann
Actors: Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles, Ron Silver
Studio: Sony Pictures
Category: DVD
List Price: $19.94
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Rating:  167 reviews
Sales Rank: 37247
Format: AC-3, Anamorphic, Closed-captioned, Color, Director's Cut, Dolby, DVD, Subtitled, Widescreen, NTSC
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled)
Rating: R (Restricted)
Region: 99
Aspect Ratio: 2.40:1
Number Of Discs: 1
Running Time: 157 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: COLD09056D
ISBN: 0767894650
UPC: 043396090569
EAN: 9780767894654
ASIN: B0001XAOL6
Theatrical Release Date: December 25, 2001
Release Date: June 1, 2004
Availability: Usually ships in 1-2 business days
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Amazon.com essential video
Ali is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where formative scenes from the early life of Cassius Clay float along on the rapture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has the same authoritative wit and ability to surprise that so disarmed the public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade
Product Description
Dramatization of the life of legendary boxer Muhammad Ali.
Genre: Feature Film-Action/Adventure
Rating: UN
Release Date: 1-MAY-2007
Media Type: DVD
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| Customer Reviews:
Showing reviews 1-5 of 167
 Ali January 6, 2010
Arnita D. Brown (USA)
The life story of heavyweight boxing champion Muhammad Ali, following the champ's early days as Cassius Clay and his rise in sports and politics, including his controversial refusal to fight in the Vietnam War and his infamous comeback battles against Joe Frazier and George Foreman. Smith gives a towering performance, defiantly funny and impassioned. This movie is a winning TKO.
blu friggin ray!!! December 14, 2009
S. joseph (Socal, Kalipornia)
1 out of 2 found this review helpful
When is ALI coming out in BluRay?!?!?! why is it taking so friggin long? older movies in the 50's have been out on bluray but not ALI. This is racism!!! LOL j/k
 Amazing record of Ali's life August 6, 2009
Osvaldo M. Sanches (Brasilia, BRAZIL)
Liked it very much. The movie instigate me to do additional research about Ali's life and people around him, in special,
Malcon X. I have being suggesting it for many friends.
Packs a Solid Punch June 2, 2009
Edward Cheung (Hong Kong, Hong Kong)
Ali is a biopic directed by Michael Mann that successfully covers legendary boxing icon Muhammad Ali's benchmarks over a ten-year time frame. The film opens as Cassius Clay prepares for his fight against heavy weight titleholder Sonny Liston. `That man's so ugly, when he sweat... the sweat run backwards off his forehand just to stay away from his face.' The famous `Louisville Lip' opens up as Clay taunts his opponent during a press conference.
From that point on, there is no doubt that Will Smith did a brilliant job in portraying one of the greatest of all time: from the hard work Smith put in at the gym to look and move like Ali, to Smith's emulation of Ali's persona, Smith's talent and achievement is undeniable.
Ali is set in the 1960s, a time of the struggle for civil rights and also a time of war. It is a docudrama that is faithful to historical context. It depicts Ali's at first brotherly relationship with Malcolm X, which slowly deteriorates as X drifts away from the Nation. It also boldly depicts Elijah Muhammad's blatant behavior towards his followers. Ali's wartime struggle is also successfully portrayed as the film dedicates a big part to show his three-year slump after he refuses to join the army on moral grounds.
Some criticized Mann for taking `docudrama liberties' as he depicts the relationship between Ali and Howard Cosell more intimate than it really was and for assuming that Sonny Liston DID apply a substance on his gloves before his fight with Ali. But these are minor `Hollywood touches' that Mann uses to appeal to a wider audience and hardly cause a drag to the great picture.
The only real disappointment of the movie is that it solely focuses on the `greatness' of Ali instead of telling a wholesome life story. It doesn't tell us how Cassius Clay grew up, learnt to box, and gradually made his transformation into Ali. The film also concludes after the `Rumble in the Jungle' fight between Ali and George Foreman; it doesn't deal with Ali's later life after catching Parkinson's.
The power and inspiration of Ali is undisputable, and probably one of the most successful docudrama ever made. `Float like a butterfly, sting like a bee His hands can't hit what his eyes can't see.' No film about The Champ would ever come close to touching Ali.
Where is the Champ? May 28, 2009
Baby (Hong Kong, Hong Kong)
1 out of 1 found this review helpful
ALI is nothing but a playful punch. Telling the tale of the boxer, Muhammad Ali, the movie goes through his life, starting with the early matches before his rise to fame and struggles with keeping himself in the boxing game after joining the Nation of Islam, to his name change from Cassius Clay to Muhammad Ali, simultaneous romantic relationships, and refusal to join the Vietnam War. Though the film is accurate in the portrayal of events and the character of Ali and even delves into aspects of racism not explored in other films, ALI seems to have no clear single point of view or message about the titular character.
Directed by Michael Mann, with Will Smith in the lead role, the movie starts off with Ali, then named Cassius Clay, training, followed by a match. Proceeding to cliche examples of African-American discrimination with shots of bus segregation and police targeting of blacks, the movie's development seems undirected indeed. Unexplained scenes of the Nation of Islam gathering and Malcolm X making speeches did not help in clearing up what was going on for the audience. It seems that this film had no direction from the get go.
Only after an hour into the movie, do we get a taste of what Mann was trying to communicate from the start. After an onslaught of story exposition and character establishment, story development finally started, if in the least of the name. Ali starts to receive consequences for his constant flirtation and multiple relationships with women, and a backlash for his abrupt name change from Cassius Clay to Muhammad Ali. His valued relationships start to fall apart, as arguments begin and marriages are divorced. The public is shocked by his name change, and even his fellow boxers refuse to call him by his new name, which causes violence from the champ, as he wants to be acknowledged as Muhammad Ali from now on. That said, this development still presents no clear point. At first sight, one may feel that the writers are trying to show that Ali is an overly emotional man, and one who cannot control his actions. But with his management of his boxing game and schedule, and his ability to beat others in the ring with an unemotional, calculating, and orthodox boxing style, one could say otherwise. The multitude of contradicting messages in this film, make the filmmakers' message unclear and befuddled. There are also many scenes of dialogue with Ali, in which he is shown to sport a cold and un-rash attitude, which make his character undeveloped and lacking of a certain perspective. Another example of trying to keep true to history, is Ali's boxing style. While there is accuracy in showing Smith fighting with an orthodox style, due to the mundane-ness of it, being strategically timed jabs that wear the opponent down over time, contrast to powerful punches all over the place, mainstream audiences may feel that Ali is less of a champion than he really is. This historical realism brings down the emotional response of the audience. The filmmakers try to put in too much of the "docu" in docudrama, and seem to have forgotten that they had to make this logical as a story. Despite the many different facets of personality in a person, due to the film being a story, they should have explored one main aspect of Ali's character, and shown how it has affected his life. Smith's portrayal of the character is true to the real Champ, but it's historical realism bogs down the story, as it is more difficult to explore Ali's emotional journey. The events portrayed in this movie may be accurate, as is the attitude and character of Ali, but they don't communicate anything as a story.
All in all, however, unless you're a fan of Will Smith, or are really interested in this period of time for blacks in America, you should not watch this film. The action scenes are boring, most of the time Ali's just talking and unrealistically flirting, and though it fleshes out some parts of the racism, it's not worth spending two and a half hours watching it for just that.
Showing reviews 1-5 of 167
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