I'm Dancing As Fast As I Can |  | Director: Jack Hofsiss
Actors: Jill Clayburgh, Nicol Williamson, Dianne Wiest, Joe Pesci, Geraldine Page
Studio: Paramount
Category: DVD
Buy New: $24.77
as of 3/13/2010 20:03 EST details
New (11) Collectible (2) from $17.75
Seller: sklee2
Rating:  8 reviews
Sales Rank: 41881
Format: Color, Dolby, DVD, Subtitled, Widescreen, NTSC
Languages: English (Original Language), English (Subtitled)
Rating: R (Restricted)
Region: 1
Aspect Ratio: 1.85:1
Number Of Discs: 1
Running Time: 106 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: D012954D
ISBN: 1415711763
UPC: 097360129540
EAN: 9781415711767
ASIN: B0008KLVCI
Theatrical Release Date: March 5, 1982
Release Date: June 21, 2005
Availability: Usually ships in 1-2 business days
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Description
One of today's most gifted and brilliant actresses, Jill Clayburgh, brings her special sensitivity to the role of Barbara Gordon, a successful television documentary producer who became hopelessly dependent on tranquilizers. But this is much more than a story of addiction and withdrawal; it is an examination of the success syndrome that affects the lives of people whose career triumphs are achieved at great personal sacrifice. It is the dramatic and suspenseful story of one woman's survival in a battle for her sanity- and her life. In this urgent quest, she must discover her inner strength, independence, and ability to be truly happy.
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Showing reviews 1-5 of 8
 The Dance of Despair November 20, 2006
Randall Ivey (USA)
4 out of 4 found this review helpful
The subject matter is obviously heavy and weighs the audience down as much as the protagonist, but this is a mostly successful (if highly earnest) adaptation of the famed memoir by prize-winning documentarian Barbara Gordon. With such a lukewarm endorsement, my five-star rating may seem unwarranted, but this movie deserves a wide audience for one reason, as far as I'm concerned, and that's Geraldine Page's stunning supporting turn as the cancer-ravaged poet about whom Gordon is producing her latest work. The scene in the hospital, when Page explodes at Clayburgh, for the sentimentality of the documentary, will raise all the hair on your body and is further proof of Page's greatness. That she was not nominated for an Academy Award for this lacerating performance is an irrevocable blight on the movie industry.
One day Page will get her due. Watch I'M DANCING AS FAST AS I CAN, with all its flaws, to see this acting genius at full throttle.
A struggle with early childhood pain and the stress of modern living. September 9, 2005
T. L. Quesenberry, Jr.
6 out of 7 found this review helpful
This movie requires insight and empathy for the lead character, otherwise it does appear the director did not adequately present what is the groundfloor to such addictions. However, there is alot of character development here for those who listen carefully. Barbara is tortured due to being unwanted and unloved and has used her career to cover it up along with Valium use. She finally hits rock bottom and gets treatment via examining the sources of her rage filled inner-self. This movie really stands out in memory from the 80's as a frank presentation of addiction, multiple competing roles, and the culture-of-Narcissm we live in and the sickness it can really create. It shows that "success" is merely another cover up, another addiction with some people. Lovinging oneself is unconditional if it is real and yes you "don't have to cripple yourself to be loved."
I'm Swallowing Valium As Fast As I Can!!!! May 29, 2005
John Baranyai
1 out of 12 found this review helpful
This is a very sorry excuse for a movie about the consequences of abusing tranqulizers if your life isn't going too well. In this movie Jill Clayburgh plays a filmaker who is involoved in a pathetic relationship with a drunk, oh excuse me, I mean an alcoholic. Jill pops Valium like candy and it is no surprise that she ends up in the 1982 equivalent of Rehab for her drug dependancy. At the Rehab Clinic her psychiatrist makes the not too profound statement that 'You don't have to cripple yourself to be loved"Gee. I thought you didn't have to take 90 milligrams of Valium per day to be loved either. I give this movie 5 stars because Ms. Clayburgh did show some wonderful promise as an actress early in her career .
I Am Dancing As Fast As I am December 16, 2001
Julia E. Wissell (Windham New Hampshire Home NYC)
7 out of 9 found this review helpful
I lived her life and it is almost 20 years since I read the book and saw the movie and it still haunts me. Today I am fine, and I can say nothing more than that book really helped me to believe in myself.
 not easy going but rewarding August 21, 2000
Peter Shelley (Marrickville, New South Wales Australia)
9 out of 12 found this review helpful
Although her screen persona in such films as Starting Over and It's My Turn was being the nice girl next door, Jill Clayburgh
also took some chances. Just think of her vomiting in An Unmarried
Woman and her incestuous opera singer in Bernardo Bertolucci's
Luna. This film is based on Barbara Gordon's book and what probably
helped Clayburgh to deliver her searing performance is that her
husband playwright David Rabe both produced and did the screenplay,
and the director was Jack Hofsiss who did The Elephant Man on stage to
such acclaim. Her Barbara is barely likeable - obsessive-compulsive,
hostile, chain-smoking and valium addicted. It's fascinating to see
how she conceals her pills, and clear that she lacks the support to
accomodate her impulsive decision to withdraw. She is told that valium
withdrawal is as traumatic as opiate withdrawal, and having an
alcoholic abusive lover doesn't help. As Barbara withdraws, Clayburgh
goes all out - convulsing, drooling, shrieking, maniacal, with wild
mad eyes and Frances Farmer hair. When she is eventually
institutionalised we see the anger that the valium had suppressed as
she rages at her therapist played by Dianne Wiest, who matches
Clayburgh. Wiest's first film had been Clayburgh's It's My Turn and
it's generous to think that Clayburgh helped her along with this role,
before she found greater success with Woody Allen. The film is
actually full of interesting actors in small roles - John Lithgow,
David Margulies, Kathleen Widdoes, Daniel Stern, Joe Pesci, Anne de
Salvo, Ellen Greene, Richard Masur, Jeffrey de Munn, and Geraldine
Page as a poet with cancer who Barbara is making a doco on. The poetry
we hear her recite is by Marsha Rabe. Occasionally Page slips into
Method-overdrive, with her hands and her little girl voice, and she
kills the meaning of the title, but mostly she is believable. The
casting of Nicol Williamson as Clayburgh's lover however doesn't quite
work. He is certainly creepy but we never understand his reluctance to
get Barbara medical help during her withdrawal. Hofsiss gives us two
great images - Clayburgh walking down a long corridor after having
been insulted by Page, aggresively wiping away her tears, and her
running on the beach in a white gown. The music of Stanley Silverman
and the Primavera String Quartet is particularly beautiful and
moving. Also Clayburgh is dressed very stylishly here, that is when
not draped in her crazy lady pyjamas.
Showing reviews 1-5 of 8
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