If Gates has become synonymous with corporate conquest at its most striking, Pirates' interest lies more with Jobs, given a nervous energy and flashes of adolescent selfishness by Noah Wyle, who benefits from a reasonable physical resemblance to the Apple chief. Eyewear and a comb-over do nearly as well for Anthony Michael Hall, who also grafts some of Bill Gates's better-known mannerisms onto his performance and renders Gates as a smart if socially maladroit entrepreneur who, like Jobs, provides the ambition and business savvy to exploit his partner's computing talents. There are a few fanciful touches (Ballmer and Wozniak become Greek choruses, addressing the viewer as they comment on the principals), but the story plays out in straightforward fashion. It's tantalizing to consider how the Apple/PC melodrama might have fared with an edgier, more openly satirical script. --Sam Sutherland