Hondo (Full Screen) | 
| Director: John Farrow
Actors: John Wayne, Geraldine Page, Ward Bond, Michael Pate, James Arness
Studio: Paramount
Category: DVD
List Price: $14.98
Buy Used: $5.25
You Save: $9.73 (65%)
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Rating:  69 reviews
Sales Rank: 5508
Format: Collector's Edition, Color, Dvd, Full Screen, Special Edition, Ntsc
Languages: English (Original Language), English (Subtitled)
Rating: NR (Not Rated)
Region: 1
Aspect Ratio: 1.33:1
Number Of Discs: 1
Running Time: 83 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.5 x 5.3 x 0.7
MPN: PARD887614D
ISBN: 1415709009
UPC: 097368876149
EAN: 9781415709009
ASIN: B000ANVPP6
Theatrical Release Date: November 27, 1953
Release Date: October 11, 2005
Availability: Usually ships in 1-2 business days
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Amazon.com
Although scarcely seen in its original 3-D, and entirely out of sight for a decade and a half after its producer-star died, Hondo has maintained a high rep among John Wayne fans--and it wasn't even directed by Howard Hawks or John Ford. (Actually, Ford did shoot some second-unit stuff while visiting Wayne on location.) Half-breed Hondo, companioned only by an antisocial dog, tends to be more sympathetic toward the Apaches than toward the white society he occasionally scouts for. He falls into uneasy friendship with a New Mexico farmwoman (Geraldine Page) whose husband deserts her for long stretches, and whose son (Lee Aaker) is blood brother to the local Apache chieftain. A good, spare frontier tale--Louis L'Amour via James Edward (Angel and the Badman) Grant--in which danger and solace come in unexpected ways. John Farrow, who did direct, brings it in at a lean 84 minutes. Page was Oscar -nominated for this first film role. --Richard T. Jameson
Product Description
A cavalry scout helps a woman and her son defend their ranch.
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| Customer Reviews: Read 64 more reviews...
 Men Men February 4, 2009
M. Pramaggiore (Carmel, NY)
1 out of 1 found this review helpful
Wish today's actors were more "men men" as in the past years!! Only John Wayne could excel in Hondo, The Quiet Man, Hatari, for example. Must admire those like Robert Mitchum, Paul Newman, Bob Hope, etc., who were married to the same woman for many years!!!
 A Fine Additon to the John Wayne Legacy November 16, 2008
J. Conrad Guest (Northville, MI United States)
2 out of 2 found this review helpful
Thirty years after his death, John Wayne remains an enigma. Many books have been written about him, none of which I've read, and so I know little of his personal life other than he has been both praised for embodying traditional American ideals and reviled for his archconservative bigotry.
Yet he remains today perhaps this country's biggest movie star. Today's actors - Tom Hanks, Russell Crowe, Liam Neeson, Jack Nicholson - are more accomplished actors with greater range; while from Wayne's era, Clark Gable was more handsome, James Cagney more talented, Jimmy Stewart and Henry Fonda more eclectic. But for sheer screen charisma, I can't think of another actor from any era who brings more to the screen. Whenever Wayne is onscreen the viewer is simply compelled to watch him. Often described as ruggedly handsome, his face isn't particularly expressive. Some of his mannerisms, particularly his walk and some of his posturing, one suspects are contrived, yet a generation of men in the 40s and 50s aspired to be just like him. Heck, I knew some women in the 60s who patterned themselves after the Duke.
In Hondo, based on a Louis L'Amour novel and directed by John Farrow, Wayne plays a half-breed Apache. His sidekick is Sam, a dog as surly as Hondo. Hondo befriends Angie Lowe, a New Mexican farmwoman and mother of a young son whose husband deserts her for extended periods of time. Geraldine Page is well-cast as the "handsome" Angie, and was nominated for an Oscar for her first starring role, despite a performance that can best be described as wooden. Character actor Ward Bond and a young James Arness ably lend support.
Setting aside the rather cliche depiction of the Apache and several historical inaccuracies, Hondo can perhaps best be described as a morality play, a study of the power of lies and when, or if, it is beneficial to tell one. Hondo laments the lies the white man tells the Apache and tells Angie that the Apache language contains no word for "lie." Page's soliloquy on the subject of lies - those she endured at the tongue of her husband as well as those she told herself - near the end of the movie is a telling moment. Although delivered somewhat mechanically, the words speak for themselves.
Not ranked in the top ten best all time westerns or even one of Wayne's best films, it is still recommended viewing.
Good Movie; as always Indians are made to appear as a little stupid October 30, 2008
Aquiles Troy (Santiago, Chile)
A good movie, till the moment whites left the ranch. I have a very high respect for Apaches. But in here they, as always in the movies, behave in a stupid way. Appart from Vittorio, a great chief, the rest looks like a bunch of ragged men that attack whites with little or no strategy. They normally don't charge in the open to some hostile force but choose their grounds in a clever way.
The sad matter was, as John Wayne says in the movie, "a whole way of life was erased from earth"
It is not different from what is happening today in a lot of things.
HONDO August 28, 2008
Jack N. Young (Tucson, AZ)
1 out of 1 found this review helpful
This is one of many John Wayne films I worked on as a stuntman. It was fun working with him and he will always be the essence of American to the bone. This is truly a great film, directed by John Farrow. Lots of action and Indian raids make it a spectacular event.
Hondo (Full Screen) July 14, 2008
Harry Brewer (S'port, La.)
For 1953 Hondo was a brutal portrayal of the West. Hondo was based on a Louis L'Amour novel, in fact, it was the first novel that L'Amour had published & was also his first property to be transformed to the silver screen. The film was directed by John Farrow (father of Mia) & shot in Mexico. The screenplay was written by James Edward Grant, Wayne's favorite screenwriter.
Hondo is a Western much in the classic vein but with an added realism that was unusual for 1953. In the opening scene we see Hondo (John Wayne) walking toward the camera, rifle in one hand, scabbard & saddlebags in the other hand. Near him is the dog, Sam, basically a wild dog who is in the company of Hondo. He happens on a ranch that has only Angie Lowe (Geraldine Page) & her son Johnny (Lee Aker). Hondo is a scout for the cavalry & is returning to to report on the state of the Apaches who are preparing for war. Hondo stays around the ranch for a short period fixing up things for her. It's obvious to Hondo that Mrs. Lowe's husband hasn't been around for a long time. She continually lies about her husband but Hondo, straigt forward & honest, tells her she's lying. Later, Hondo meets Ed Lowe (Leo Gordon) & they take an immediate disliking to one another. Later Hondo kills Lowe in self-defense. This complicates things because Hondo & Mrs. Lowe end up falling in love.
All of this is set against the backdrop of an Apache uprising & the Lowe ranch is in the middle of it. She has been on peaceful terms with them but Hondo warns her it's time for her & her son to leave. She chooses to stay. The Apache chief Vittorio (Michael Pate) is a significant role in the movie. He befriends Johnny renaming him Small Warrior. Vittorio wants Mrs. Lowe to pick one of the Apache warriors for a husband so that Johnny can be taught the Apache way. The movie features Ward Bond as Buffalo Baker, a scout like Hondo. James Arness has a small role as Lennie, another scout whom Hondo doesn't like. It all leads to the inevitable cowboy & Indian showdown.
Some of this was shot in 3D but it's a very minuscule part. The movie has an introduction by Leonard Maltin who also appears in the rest of the special features. There's a feature entitled The Making of Hondo that features interviews with Michael Pate, Lee Aaker & western historian Frank Thompson. This feature reveals that the final parts filmed of Hondo were actually directed by John Ford. There's a feature on the writer James Edward Grant. There is an interview with Michael Wayne that reveals material from the vaults of Batjac, Wayne's production company. There are a couple of other features that makes this a great value.
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