The Edge: Writer David Mamet created two engrossing and memorable characters, played by Alec Baldwin as the urbane fashion photographer and Anthony Hopkins as a reserved and intellectual billionaire. They find themselves teamed up against a giant Kodiak bear, and their own inner demons, when lost together in the Alaskan wilderness. There is a lot going on in this picture, as the subject matter includes male rivalry, the isolationism of extreme wealth, and, most conspicuously, the survival of the fittest. Mamet's script, which sounds a little too arch in spots, is well served by New Zealand director Lee Tamahori, who knows how to capture beauty and brutality in one frame. Although the themes are enormous in scope, they are well balanced. One rarely overpowers the other, nor does the achingly beautiful scenery overshadow the acting. Even if you do not like the intellectualism of the dialogue, there are some great scenes with the bear. --Rochelle O'Gorman

Tigerland: Shot in the rough, 16-millimeter style of a low-budget documentary, Tigerland marked director Joel Schumacher's welcomed return to simplicity after a slew of bloated blockbusters like Batman & Robin. In revitalizing Schumacher's directorial talent, Tigerland--partially inspired by the Danish Dogme 95 movement of no-frills filmmaking--suggested that one solution to Hollywood's moribund "product" was to abandon excess, focus on essentials, and assemble a fine cast of unknown actors to make it all worthwhile. To that end, Tigerland also marked the deserving arrival of Irish actor Colin Farrell as Hollywood's hottest new discovery.

Its story never leaves U.S. soil, so Tigerland differs from such in-country Vietnam films as Platoon and Full Metal Jacket. Instead, it's about the anxieties and moral dilemmas that arise from the anticipation of death and killing. These roiling emotions are focused on the character of Private Bozz (Farrell), whose insubordination betrays a singular knack for leadership during infantry training at Fort Polk, Louisiana, in 1971. Part R.P. McMurphy and part Cool Hand Luke, Bozz is a defiant maverick, barely tolerated by his superiors, challenged or revered by his fellow grunts, and ultimately honed into a soldier of remarkable promise. An intense final week in the live-ammo training ground nicknamed "Tigerland" galvanizes the platoon and Bozz's place in it, and although the film (partially based on cowriter Ross Klavan's own experience) lacks the emotional impact of Platoon, it deals quite potently with the internal conflicts that must be waged before external warfare can be endured. --Jeff Shannon