| Fargo [Blu-ray] | ![Fargo [Blu-ray]](http://ecx.images-amazon.com/images/I/61%2BAaAH8MfL._SL160_.jpg)
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Avg. Customer Rating:  386 reviews
Language: English (Unknown)
Media: Blu-ray
Number Of Items: 1
ASIN: B000Y5JFNO
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Amazon.com essential video
Leave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon
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| Customer Reviews: Read 381 more reviews...
 The Best Movie Ever Made November 3, 2008
I watch Fargo at least 3 times a year and have been doing so since it came out. It is my favorite movie of all time. If you haven't seen it, you must!
Didya hear the one about the guy who couldn't afford personalized plates, so he went and changed his name to J3L2404? October 7, 2008
1 out of 1 found this review helpful
Fargo is among the better efforts of the Coen Brothers. Frances McDormand won an Oscar for her portrayal of Brainerd Police Chief Marge Gunderson. It was well deserved, as she not only mastered the Midwest accent but created a complex character that was almost naive, always seeing the good in people and situations; but nevertheless, was a clever detective who relentlessly pursued criminals in spite of the fact that she was pregnant. William H. Macy and Steve Buscemi were also great in this movie. They captured the flaws and weakness in their respective characters well. The whole darn cast was excellent, and everything worked. You might be laughing at the quirky Midwest characters and their funny accents, but then you have to admire the son-of-a Gundersons.
Of the Coen Brothers' films I have seen, I felt that 'The Man Who Wasn't There' and 'Barton Fink' simply didn't work (still interesting though more like failed experiments), but 'O, Brother, Where Art Thou?' 'Raising Arizona,' and of course cult classic 'The Big Lebowski' were superb. 'Fargo' might just seem like a lot of quirks and foibles but actually there is a lot of keen observation of human behavior, and after a while all those quirks and foibles add up to very memorable characters whose stories are told in quite compelling narratives.
I also like the visual symbolism, like the statue of Paul Bunyan who not only resembles (William H. Macy) Jerome 'Jerry' Lundegaard's father-in-law, (Harve Presnell) Wade Gustafson, but also hints at the menace and mayhem to come, with his big axe poised. It is a great symbol, like the giant eyeglasses in the optometrist's office sign that looked with harsh judgment upon the characters in 'The Great Gatsby.'
The harsh Midwestern winter is another visual metaphor. At one point, it looks like a black and white map or diagram, but as the camera pulls back you see that it is merely one of the poor characters out in the snow, trying to get their car started. When someone hides the ransom money in the snow, he looks out on miles and miles of fence running along the road. The snow has obliterated any possible landmarks, and you see the futility of his plan as he tries to mark the spot with a snow scraper.
One trademark of Joel Coen is that he often pays homage to the great film director Stanley Kubrick, and 'Fargo' has a couple of examples that I will leave to the viewer to discover on his or her own. Another trademark is that they often use a lot of the same actors, and Frances McDormand and Steve Buscemi are two of their stalwarts. McDormand has been in numerous Coen films, starting with their first feature, 'Blood Simple.' Steve Buscemi has been in even more, and in most every one he dies or is killed. Besides 'Fargo' I liked him best in 'The Big Lebowski,' but it is apples and oranges to compare them, because Lebowski is more of a fantasy/comedy while 'Fargo' is a serious crime drama with quirky characters thrown in for comic relief.
Films of Joel and Ethan Coen:
No Country for Old Men (2007)
The Ladykillers (2004)
Intolerable Cruelty (2003)
The Man Who Wasn't There (2001)
O Brother, Where Art Thou? (2000)
The Big Lebowski (1998)
Fargo (1996)
The Hudsucker Proxy (1994)
... aka Hudsucker - Der grosse Sprung (Germany)
Barton Fink (1991)
Miller's Crossing (1990)
Raising Arizona (1987)
Blood Simple. (1984)
William H. Macy ... Jerome 'Jerry' Lundegaard
The Cooler (2003) .... Bernie Lootz
Magnolia (1999) .... Donnie Smith
Boogie Nights (1997) .... Little Bill
Steve Buscemi ... Carl Showalter
Ghost World (2001) .... Seymour
The Big Lebowski - 10th Anniversary Edition (1998) .... Theodore Donald 'Donny' Kerabatsos
Trees Lounge (1996) .... Tommy
Frances McDormand ... Police Chief Marge Gunderson
Laurel Canyon (2002) .... Jane
Almost Famous (2000) .... Elaine Miller
Raising Arizona (1987) .... Dot
Police Chief Marge Gunderson: Say, Lou, didya hear the one about the guy who couldn't afford personalized plates, so he went and changed his name to J3L2404?
Who's the oriental guy? October 3, 2008
I agree with the positive reviews here 100%, but apparently this must be your type of movie for this to apply - some do not get it. I notice a sub-plot that is intriguing - seemingly completely unnecessary (I'm waiting to hear the interviews) - and would like opinions from others. There's a scene where the sheriff (McDormand) meets what seems like an old friend/acquaintance from school, an oriental-looking guy - sorry can't remember his name. She meets him at the Radison I believe for lunch. Its a totally weird encounter as he begins seeming normal and progresses to trying to put the make on this obviously pregnant woman, which she skillfully rebuffs, and then turns tragic. Later in the movie McDormand talks on the phone with another school chum who fills her in that nothing the oriental guy disclosed to her as highly personal tragic info - none of it was true. He was totally deranged mentally. Like I said, its a captivating subplot, but what the Hell is it about?
 Dissapointing October 2, 2008
I keep hearing such wonderful things about this film. How original and quirky it is; how funny it is, etc. However, those people failed to mention that there is also a lack of plot. We get just a glimpse of the plot, that was truly never really resolved and had no beginning. Not to say that there aren't plenty of films like that. But Fargo wasn't doing anything for me. There was nothing shocking, or gruesome, or innovative about this film. And those accents were overdone. From what I hear, people really do talk like that in those parts. But it FELT overdone in the film to the point of annoying.
I am giving this 3 stars because of the acting, accents aside. William H. Macy is a true genius of an actor, no matter what role he plays. Steve Buscemi is in a class of his own and Frances McDormand is always spot on. They really made the most of the lacking script. I won't go so far as to call this film boring, but it certainly wasn't riveting.
offbeat classic September 30, 2008
There's plenty of info and deserved praise in the already-written reviews about the storyline, the great acting, atmospherics, dialogue, awards etc
Macy and McDormand rightfully take most of the focus, but look for the tiniest gem of a scene where Mr. Mohra, a quiet local shovelling snow, talks with a cop. It's the most understated of exchanges, practically a monologue, and it is just tight, polished and pitch perfect. It's a turning point in the movie, and two men are trading important info that changes everything, while barely looking at each other, before moving on to talk about the weather.
The take-home message for the scene, as well as the whole film is "if someone is quiet and kind, don't underestimate them."
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