When Turkish Delight (1973) opens on a brutal attack and then a succession of one-night stands, it seems that bohemian artist Eric Vonk (Rutger Hauer, collaborating for the first time with Verhoeven) is a complete jerk. Then a sudden flashback reveals the motivations for both his dreams and behavior, as well as the subject of the photos he spends his time pining for. He meets Olga (a fantastic Monique van de Ven), but their tempestuous relationship is shaken by many peculiar events: a surreal wedding ceremony, unveiling a statue to the Queen, and the death of Olga's father. The real problem is Olga herself, however, which leads to a shock ending many have compared to Love Story. Somewhat dated now, Turkish Delight is nonetheless unmistakably a product of the now-familiar Verhoeven style.

Katie Tippel (1975) is a handsome period drama set in 19th-century Holland, based on a true story. The second eldest daughter in a poor family, Katie (Monique van de Ven) must find whatever work is going to make ends meet. As she enters a succession of jobs in which she experiences both exploitation and sexual harassment, she learns that men want her for only one thing and so she enters prostitution. However, she is finally able to escape the poverty trap and ascend the social ladder, particularly when banker Hugo (Rutger Hauer) takes her as his lover. All this is set against a backdrop of social foment as the workers' impatience at poor social conditions increases.

Based on real events, Soldier of Orange (1977) tells the story of Dutchman Erik Lanshof (a star-making performance by Rutger Hauer) and a small group of students as they struggle to survive the Nazi occupation to the end of the Second World War. Across a canvas lasting almost three hours, Verhoeven unfolds a saga of friendship, espionage, and romance with almost documentary realism, crafting a deeply affecting film widely regarded as the greatest ever made in Holland.

Only two years separate The Fourth Man (1983), Verhoeven's final Dutch language movie, and the explosive commencement of his Hollywood career. This savage comedy shocker could well be seen as a trial run for Basic Instinct, since it features an ice-cold seductress (Renee Soutendijk) with mysterious motivations and sexual preferences. The hallucinatory tale follows a novelist (Jeroen Krabbe) first falling for her, and then feverishly investigating whether she's a serial husband killer. The film is full of what would soon be recognized as Verhoeven trademarks: a little blasphemy, a lot of nudity, dispassionate characters, and hidden agendas.

For fans of Verhoeven's American work, these films will certainly be interesting as we can see significant similarities and differences between his Dutch and American works. Obviously, the Dutch movies are older, and some things are now outdated (notably "Business is business" feels so terribly outdated it's almost embarassing to watch, and I imagine it's included primarily for historical interest). On the other hand, whereas his American films are mostly Sci-fi-based, a few of these films are period pieces based on autobiographical writings, and as such the Dutch films are more based on realism (for instance, the excellent WW2-drama "Soldier of Orange", and the 19th-century period piece "Katie Tippel"). Nevertheless, we clearly see the themes that always run through Verhoeven's work: moral ambiguity, sexuality, violence, religion, plot ambiguity, etc.).

I should mention the two gripes I have with this box set. First, although the films are old, many older films these days are rereleased on DVD with a remastered 5.1 soundtrack. Although the mono soundtrack here is adequate, it's just too bad we get to miss the surround sound. Second, the omission of "Spetters", which is strange because that's such an interesting movie, and it would have been a better inclusion than "Business is Business".

I guess you can look up descriptions of the individual films by looking up their single-disk versions. Just a brief summary for each:
"Business is Business", his first movie based on a book of short stories written by Albert Mol (who has a cameo appearance), is a comedy about two prostitutes.
To a degree, "Turkish Delight", based on the classic novel by Dutch author Jan Wolkers, also feels somewhat dated, although it's less bothersome here, the story feels like a period piece stuck in the '60s or '70. It's rated as one of the best Dutch films of all time, and it's a drama about an almost-obsessive, intensely sexual relationship.
"Katie Tippel" is a "rags-to-riches" period piece based on the memoires of Neel Doff (1858-1942), set against the background of the rise of socialism in the 19th century. Although this story is also about a prostitute, it's a very dark story.
"Soldier of Orange" is a WW2 drama based on the autobiography of war hero Erik Hazelhoff. If I'm not mistaken, it was rated by critics as the best Dutch film ever. Very interesting, very good movie.
Finally, the best one, "The Fourth Man" is a surreal movie based on the novel by Gerard Reve. In essence, it's both an art film and a "parody" on artsy movies. Large parts of it were "re-used" in "Basic Instinct". Although this one is much better.

Thanks for taking the time to read this.


Great Movies! Great Price!   August 26, 2003
Chris Hansen (Sierra Vista, AZ United States)
4 out of 4 found this review helpful

Anchor Bay has come through again with this wonderful set of Paul Verhoeven's early films. All of the transfers are top-notch and the subtitles are very clear and concise. As the individual titles have already been reviewed seperately, the big draw to this collection is being able to collect all of these brilliant films for much less than their retail price. The collectible booklet that's included provides plot summaries and quotes from the director and/or cast member(s). Overall, I highly recommend this collection for even the casual filmgoer who is looking for that unique film experience.