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    1776 (Restored Director's Cut)
    1776  (Restored Director's Cut)

    zoom enlarge 
    Director: Peter H. Hunt
    Actors: William Daniels, Howard Da Silva, Ken Howard, Donald Madden, John Cullum
    Studio: Sony Pictures
    Category: DVD

    List Price: $19.94
    Buy New: $10.79
    You Save: $9.15 (46%)



    New (29) Used (12) Collectible (1) from $10.79

    Avg. Customer Rating: 4.5 out of 5 stars 331 reviews
    Sales Rank: 1662

    Format: Anamorphic, Closed-captioned, Color, Director's Cut, Dolby, Dvd-video, Subtitled, Widescreen, Ntsc
    Languages: English (Original Language), English (Subtitled), French (Subtitled)
    Rating: PG (Parental Guidance Suggested)
    Number Of Items: 1
    Running Time: 142
    Aspect Ratio: 2.35:1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 7.4 x 5.3 x 0.6

    MPN: D05891D
    ISBN: 0767860322
    UPC: 043396058910
    EAN: 9780767860321
    ASIN: B000067D1R

    Theatrical Release Date: November 17, 1972
    Release Date: July 2, 2002
    Availability: Usually ships in 1-2 business days
    Condition: Brand New! Factory Sealed! US Retail DVD! Customer service is our #1 priority. Thank you for choosing MediaThrill.

    Similar Items:

      • 1776 (1969 Original Broadway Cast)
      • John Adams (HBO Miniseries)
      • The Crossing
      • Johnny Tremain
      • 1776: The New Broadway Cast Recording (1997)

    Editorial Reviews:

    Amazon.com
    The hit Broadway musical by Peter Stone and Sherman Edwards became the basis for this 1972 film about America's first congress and the nation's declaration of independence from Britain. Most of the original cast members are aboard, including William Daniels as John Adams. The film is a little stodgy and moves stiffly from scene to scene--the adaptation to the screen is not a smooth success. But it is nonetheless captivating, considering that so few films have dealt directly with America's birth. Directed by Peter H. Hunt. --Tom Keogh


    Customer Reviews:   Read 326 more reviews...

    5 out of 5 stars As Good As It Gets   October 29, 2008
    I hate musicals. I love this movie. Everything is there. Great writing, great acting, great directing. I agree with my fellow reviewer who said this is a must-see every 4th of July.


    5 out of 5 stars A Salute To Our Radical Forefathers   October 26, 2008
     1 out of 1 found this review helpful

    Not long ago, I reviewed a musical film here, and received a commentary from a fellow reviewer who said they were curious if I'd done a review of another filmed musical, 1776. At the time I thought, "Oh that thing" - I remembered seeing the show, and my reaction to it, but I'd forgotten how much I liked it, why I liked it - and vaguely remembered why I didn't like the film. I had acquired the "restored" DVD some time ago, but didn't get around until now to watching it, or to renewing in my mind what I'd liked about the show some 37 years ago...

    I first saw 1776 on Broadway in 1971; it was, in fact, the first Broadway show I'd ever seen. I was 17 at the time, and I now remember that I was blown away by the mix of history, music and patriotic sentiment that I saw on stage. As many people know, the show surrounds the fight to get the Continental Congress to declare American independence, and how several members of Congress resisted the effort of the "agitators" to take up the "treasonous" cause of breaking with England.

    One of the most powerful moments in the show for me (as a young person, tired of the Viet Nam war at the time) was the song, Mama, Look Sharp, in which a messenger from George Washington recounts how a soldier lay dying in the battlefield, while his mother searches for him. But the anti-war sentiment of that song was not as potent as the message in a song that immediately preceded Mama Look Sharp.

    That number was called, "Cool, Cool Considerate Men". It was a song in which the "right wing" members of Congress boast of their expectancy to prevail in the debate over independence, and defeat the resolution. Paul Hecht, as John Dickenson, gloats to his fellow conservative Congressmen, "...don't forget that most men with nothing would rather protect the possibility of becoming rich, rather than face the reality of being poor. That is why they will follow us
    To the right
    Ever to the right
    Never to the left
    Forever to the right..."
    When I saw the film version at Radio City Music hall, I was disturbed that the song, "Cool, Cool Considerate Men" had been excised from the film. According to the notes on the DVD, then-President Richard Nixon himself objected to the song, and the producers reluctantly agreed to delete it, rather than incite controversy. Happily, the restored director's cut includes this important song in its entirety, and alters the focus of the narrative.

    Now, visiting this film 37 years later, I am struck by the irony and topicality of the song, its meaning and its basis in history. Of course, Ben Franklin and John Adams did not dance in the halls while the first reading of the Declaration of Independence took place, but the creators of 1776 were very careful to preserve the attitudes, beliefs and advocacies of the main characters presented in the show. And if the presentations of those attitudes and beliefs are historically accurate (and there is little reason to doubt that they are) the fact seems to be that American Independence came down to a struggle between conservative forces who wanted to preserve the status quo, and progressives who wanted to advance the cause of liberty. After all, Adams, Jefferson, Hancock and Franklin were all, in their own way, revolutionaries (why do you think it was called the American Revolution?) and their cause was not only unpopular, it was in fact quite radical.

    It somehow has become fashionable to link the left with a lack of patriotism. It is therefore with a great deal of pride in my own liberal sentiments that I heartily recommend the restored version of 1776 as a testament to the fact that our founding fathers were very much revolutionaries, and the reality that the very birth of our country was a triumph of progressive values over conservative ones. The year after the film 1776 was released, I voted for the first time. I have never missed an election since, and I have never pulled the voting lever for anything but what I consider progressive candidates or issues. That's the Revolutionary spirit, and I am proud to call myself a "progressive", just as John Adams and Benjamin Franklin are portrayed as progressives in 1776.

    Although some of the musical numbers, romanticism and sentimentality of 1776 are, at times, over the top, the basic message is solid, and definitely worth a look. And the next time someone tells you that "liberals" are unpatriotic, tell them to watch 1776. They just may get a few surprises.



    5 out of 5 stars 36 years later it all comes together!   October 7, 2008
    I saw this film multiple times in the movies at 4 years of age with my parents and listened to the record also. Twenty years later when purchasing the VHS, I noted that "Cool Considerate Men" wasn't there even though I remembered the song from the record. My father told me then that the song was in the play on Broadway, (which he saw with my mom), but was never in the film.
    Now seeing the film WITH "Cool Considerate Men" in the film it has such meaning and I can't but help feel so sad that we couldn't have seen it back in 1972. It was well filmed and has an artistic quality to it.



    4 out of 5 stars Where is Samuel Adams?   October 5, 2008
     0 out of 1 found this review helpful

    The neglect of Samuel Adams is inexcusable. "I always considered him," said Jefferson, "more than any other member, the fountain of our more important measures."


    5 out of 5 stars Even Better   September 5, 2008
    1776 is an almost unbelievable musical considering the subject matter upon which it is based. Yet it works and is even better and more informative now that the cuts suggested by President Nixon have been restored. This musical gives a humorous and, at many times, angst producing view of the men who produced one of the great documents of history by showing what they left out of it.


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